Chuck Laman is an artist. Pure and simple. The twists and turns of the creation he is working on run through his mind and into the art. He doesn't ask why. Press him to distill his thoughts on creating his art and he'll quote another famous artist, Frank Stella, who said “What you see, is what you see.”
Chuck Laman works on a piece destined to be part of the Gallery 54 show, beginning July 1. |
Many
people were first introduced to Chuck as their dentist and for more
than three decades were first-hand witnesses to his creative
approach to life and its challenges. Where other dentists would
default to a standard treatment or “technology de jour” Chuck was
always anxious to trying something, to be creative . . . just because
he thought it might work.
Patients
could not help identifying with his creativity. Even as they
approached his offices the hallway regaled them with his photography.
In the inner sanctum of the dental office, the books available to
help wile away the minutes often featured fine art or the simple
beauty of nature.
From
the dental chair each visit was an adventure as they explored walls
often decorated with Chuck's latest painting, wood carving,
photograph or sculpture.
As
an artist he feels “art should speak to the viewer . . . if it
needs translation . . . it has failed, hence the 'what you see”
thing.' Art happens at the intersection of the piece and the viewer.
Critics need not apply,” says Laman.”
Visitors
to his July show at Gallery 54 will discover his special perspective
on art is not just abstract, it's wide open to interpretation. His
take? . . . “Middle America needs to look beyond matching frames to
furniture . . . no initiation is required . . . no pretension . . .
no art speak . . . simply time to see with and through one's eyes.
Art is a personal experience that need never be defended.”
Chuck
recalls always being drawn to specific elements in any piece of art
whether it be its lines, its colors or its shapes. “Negative space
always fascinated me,” he says, adding “The Japanese notions of
Wabi-Sabi, Ma and Mu, attracted me. I recall a Japanese exchange
student when I was in the 12th
grade, “pointing out to me 'Americans arrange the flowers . . .
Japanese arrange the space around the flowers.'”
Finding
it difficult to describe his own creations he suggests that “most
have a deep color and linear sensibility . . . negative space is a
frequent feature and I particularly enjoy creating pieces out of
construction scrap.”
Noting
that “symmetry bores” him, he tries to avoid it. Chuck will
combine both random and prescribed patterns in the balance of his
pieces that clearly lean toward abstraction. Even when creating a
figurative or more narrative work, he manipulates his materials in
unexpected ways. Compositional subtleties are planned and often
become the “most fun end point of a piece,” he'll tell you.
Gallery
54 visitors will quickly discover “to just be involved in the
creative process . . . that part where the basic outcome is
envisioned but not yet obtained, where the surprises happen” is
what Laman finds most rewarding . . . and, hopes you will, too.
Light
refreshments will be served. Gallery 54 is an upscale gallery of fine
art and crafts, located at 54 E. Genesee St., Skaneateles, NY.