Laura Leigh
Lanchantin from Tannersville, NY, takes the primary patterns and
shapes found in nature and bends them into abstractions. Her primary
tools, her imagination and “the actual earth as paint.”
Laura Leigh Lanchantin |
Most people likely cannot fathom what
all that means. Luckily, Gallery 54, is providing the opportunity
for anyone interested to discover the meaning in what Laura calls her
“dreamscapes from the heart” beginning with the opening of her
show, In The Open Dream, at the gallery Friday, July 7 from 5-8
pm.
Though Laura began making art as a
child, influenced by the pastel landscapes of her mother, Lesley, and
sculptures of her father Bill, a stone mason, it wasn't until about
six years ago, while a student at SUNY New Paltz that she was
inspired by the large-scale paintings he saw in the local art studios
and switched her major from english to painting.
Laura at her art |
The farming lifestyle that she grew up
with along with her father's stone masonry work prompted her to
research stone pigments and other natural pigments and dyes. “I was
inspired by the act of making my own art materials,” she says, “and
collaborating with the earth.”
Her dreamscapes from the heart focus on
the primary patterns and shapes found in nature. They are inherently
feminine and create a profound connection between body and land. The
womb-like forms create raw, existential, and psychological language.
“I do not wish to simply capture a natural scene with realism, but
rather capture the raw energy and emotion of the land,” she says.
Some of the works she will be
exhibiting at Gallery 54 are illustrations for an upcoming children's
book being written by Salvatore Bevilacqua, a writer and good friend.
The book, I Am the Painter of the Sky
is a story about a young Native American girl who experiences a
connection with nature and a magic tree that sprouts paintbrushes for
branches and allows her to paint the sky. As a bonus, Laura will also
present a stone pigment demonstration during the opening.
Stone pigments are
a very rare medium in the modern world. Laura notes that she “applies
her stone pigments to oil and charcoal” which makes them even more
uncommon. Her
technique creates abstractions “from the very center
of my psyche,” she says. “There is no censor between my emotions
and the canvas.” The result is very primitive, intrinsic images
that elicit unique reactions from each viewer.
Music
from the electric harp of Chris Molloy, wine and light refreshments
will be served. Gallery
54 is an upscale venue for Central New York artists that showcases
and sells unique, inspired, and timeless art in a diversity of
mediums. Gallery hours are Sunday through Thursday 10 am to 5 pm,
Friday & Saturday 10 am to 6 pm.
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