I wrote that headline because I wanted a way to use the word "time" in introducing a new artist.
Introducing a new artist could be
routine for a gallery such as Gallery 54. That is unless you
understand that art and artists is what this gallery is all about. So
every introduction of a new artist becomes a highlight
Recently, Gallery 54 welcomed Leonie
Lacouette and an initial collection of her elegant clocks. One of
the first things other gallery artists, and more importantly,
customers will recognize is that Lacouette “reconciles the strict
geometries palette of colored patinas on the copper and nickel that
predominate her designs.”
Her clocks are “created from a basic
language of circles, squares, ovals and rectangles. The clocks are
not only beautiful, but often playful. A recent description of one of
her clocks describes the “otherwise hidden movement of the
pendulum” swinging back and forth, “revealed by a perfectly
circular hole punched through the face of the piece to create a
dynamic (and unexpected) game of 'hide-and-seek'”.
Lacouette has been making clocks for 25
years. It started for her as a practical way to make a living, at the
same time “using the aesthetic training she'd received in art
school.” She explains that she needed a clock for her studio and
saw an ad for clock mechanisms. After ordering five, she made one for
her studio and the rest to sell. They sold quickly and the clocks
hanging in Gallery 54 readily illustrate,
why.
Hailing from Manhattan, she recalls
that “everything was go-go-go, always accumulating more
stuff-stuff-stuff, having lots of things. It feels great,” she
says, “to have something simple and beautiful, a style that I can
call my own.”
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